PETER PUCCI
Choreographer and Movement Director
Peter Pucci creates movement. With extensive credits in contemporary dance, theater, ballet, and dance education, Pucci is one of the most experienced and versatile choreographers working today.
Peter was a member of Pilobolus Dance Theatre for nine years where he served as principal dancer, co-choreographer, and rehearsal director. While with Pilobolus, Peter toured and taught worldwide, made several film and television appearances, performed on Broadway.
PETER PUCCI
Choreographer and Movement Director
Peter Pucci creates movement. With extensive credits in contemporary dance, theater, ballet, and dance education, Pucci is one of the most experienced and versatile choreographers and working today.
Peter was a member of Pilobolus Dance Theatre for nine years where he served as principal dancer, co-choreographer, and rehearsal director. While with Pilobolus, Peter toured and taught worldwide, made several film and television appearances, performed on Broadway.
AWARDS
AWARDS
Zelda Fichandler Award by the Stage Directors and Choreographers Foundation
Pucci awarded Special Drama Desk Award for his work on Orphan’s Home Cycle
Pucci awarded Westchester Artist of the Year from ArtsWestchester
Pucci nominated for Outstanding Choreographer for a Drama Desk Award for his work on Queens Boulevard (the musical)
Pucci awarded Lucille Lortel Award for Outstanding Achievement Off-Broadway: Outstanding Choreographer Peter Pucci, Queens Boulevard (the musical)
Pucci nominated for Outstanding Choreographer for a Joe A. Callaway Award for his work on The Money Shot
The Absolute Joffrey Ballet Award for his first commission for the company, Moon of the Falling Leaves
The Samuel H. Scripps Humphrey/Weidman/Limon Fellowship, Pucci was the first recipient of this choreographic commission from the American Dance Festival
Pucci received two Choo-San Goh Awards for his choreography with the North Carolina Dance Theatre (now Charlotte Ballet) and Ballet Arizona (now Arizona Ballet)
Zelda Fichandler Award by the Stage Directors and Choreographers Foundation
Pucci awarded Special Drama Desk Award for his work on Orphan’s Home Cycle
Pucci awarded Westchester Artist of the Year from ArtsWestchester
Pucci nominated for Outstanding Choreographer for a Drama Desk Award for his work on Queens Boulevard (the musical)
Pucci awarded Lucille Lortel Award for Outstanding Achievement Off-Broadway: Outstanding Choreographer Peter Pucci, Queens Boulevard (the musical)
Pucci nominated for Outstanding Choreographer for a Joe A. Callaway Award for his work on The Money Shot
The Absolute Joffrey Ballet Award for his first commission for the company, Moon of the Falling Leaves
The Samuel H. Scripps Humphrey/Weidman/Limon Fellowship, Pucci was the first recipient of this choreographic commission from the American Dance Festival
Pucci received two Choo-San Goh Awards for his choreography with the North Carolina Dance Theatre (now Charlotte Ballet) and Ballet Arizona (now Arizona Ballet)
Recent dance company commissions include a NEA funded production of Migration, a group work for 50 dancers, Dream On By for the State Street Ballet in California, PUCCI:SPORT for the New Mexico Ballet, and new ballets for Dance Theater of Harlem and the Joffrey Ballet Ensemble in New York City.
Pucci is a Drama Desk Award Nominee for Outstanding Choreography and a Lucille Lortel Awardee for Outstanding Choreographer for his work on Queens Boulevard. Pucci also received a Drama Desk Award for his work on The Orphans’ Home Cycle.
PHOTOS OF PUCCI DANCES
Pucci is known as a Choreographer and Movement Director who works exceptionally well with dancers and actors– both those with movement experience and those with no movement training. He collaborates closely with Theater Directors to create appropriate movement that uses performers’ innate qualities while staying true to the production vision overall. Pucci refers to his way of working as Ability Appropriate Movement for the Moment.
RECENT COMMISSIONS

Peter created a ballet Somebody to Love, for the New Mexico Ballet Company in Albuquerque.
He has also choreographed a commission, Waiting for Rain for the University of Richmond’s Dancers.
Fete Du Ballet a ballet for 11 ballerinas for the Texas Christian University’s School of Dance in Fort Worth.
Two new works, Oh Yeah and BIG CITY were performed by the CCBC Dance Company at the Essex Campus in Baltimore.
Peter created a short dance film, Exuviae, for the Dance On Film series at the Jacob Burns Film Center in New York.
Pucci’s work Veil of Plenty was performed by the Sanit George Dance Company in Utah
A new solo Gotta Get Gone was also created for the CCBC Dance Company and this spring the company will perform one of Peter’s signature solos Sing.
Recent theatrical productions include: Curse of the Starving Class, Directed by Terry Kinney at the Signature Theatre, NYC and Kurt Elling’s The Big Blind at Jazz at Lincoln Center. Age of Innocence directed by Doug Hughes at Hartford Stage, Master Harold and the Boys directed by Athol Fugard at the Signature Theatre; Incognito directed by Doug Hughes Off Broadway at the Manhattan Theater Club; Desire, directed by Michael Wilson Off Broadway at 59E59.

One of Pucci’s greatest strengths as a choreographer is his ability to spark an interest in dance among diverse audiences. His work is imbued with a sense of athleticism and humor that, combined with a keen and thoughtful vision and a true integration of music and dance, makes his work appeal to a wide range of ages and backgrounds – both for dance novices and dance aficionados.

WHAT THE CRITICS SAY

Pucci is known as a Choreographer and Movement Director who works exceptionally well with dancers and actors– both those with movement experience and those with no movement training. He is able to collaborate closely with Theater Directors to create theatrically appropriate movement for the performers that capitalizes on their innate movement quality while staying true to the vision of the production – giving the actors/dancers/singers or anyone he works with, movement that is appropriate for their characters as well as for their abilities.
Pucci refers to his way of working as Ability Appropriate Movement for the Moment.










